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Examines the life and writings of William Butler Yeats, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.

'At The Violet Hour' offers a richly historicised, trenchant look at the interlocking of literature with violence in British and Irish modernist texts.

Well known and respected internationally for her ground breaking work in Archetypes of the Zodiac, Kathleen Burt now offers us a phenomenal distillation of her life work in: Beyond the Mask: The Rising Sign - Part II: Libra - Pisces. Beyond the Mask Part II illustrates how midlife urgings bring forth cycles of death and rebirth. Antiquated identities and roles must die, old 'masks' must be pealed away before we can discover a new path in life. Kathleen Burt addresses specifically how the Libra - Pisces rising sign patterns guide us into new life and fresh experiences. With the keen eye of an astrologer examining the biography of creative writers and inspired people, Kathleen Burt brings a depth of understanding to the Rising Sign: Libra - Pisces. This unique volume of wisdom offers decades of scholarly study and practical experience in esoteric astrology, psychology, mythology, and biography and examines the underlying archetypal patterns inherent in our lives.

... The author traces 'the history of the soul' as it is developed in Yeats's plays.

An inveterate notebook keeper, Northrop Frye continually jotted down his ideas and thoughts as he worked through the complex schemes of his criticism. Volumes 5 and 6 of the Collected Works are the notebooks that he kept while writing his two final books, "Words with Power" and "The Double Vision". They provide a record of what he was reading and thinking as he struggled with the implications of those projects. In a sense they are the workshops out of which the books were constructed. While focusing on the works-in-progress, the 3684 entries presented here range over diverse territory, never failing to surprise, delight, and provoke. In these notebooks, for instance, we find comments triggered by a detective story Frye is reading, a lecture he has to prepare, a glance at the books on his shelves, a quotation he remembers, a letter received, or the memory of a trip. In many respects, the notebooks reveal a Frye who is quite different from the critic who made his reputation with "Fearful Symmetry" and "Anatomy of Criticism", displaying aspects of his personality and thought that are not apparent in his books and essays. The notebooks show us the unbuttoned Frye, a complex man capable of both spiritual transcendence and hard-headed pragmatism. Here, for instance, his criticism of Catholicism is far more acerbic than in anything he published. Likewise, his rejection of both Marxist and feminist ideology is far more pointed than elsewhere. These two volumes include seven of Frye's handwritten notebooks and five collections of his typed notebooks - all previously unpublished. The material is the record of an extraordinary intellectual odyssey, an odyssey that is, at its base, deeply spiritual.

Where there is nothing: Paul Ruttledge, a man of wealth, comes to the conclusion, after a long process of development and growth, that riches are wrong, and that the life of the propertied is artificial, useless and inane.

Yeats and Women is a special issue of the distinguished Yeats Annual series and is the first collection of essays upon W.B.Yeats to focus upon his relation to women. Its critical and biographical approaches employ feminist and psychoanalytic theory, and social anthropology. The seventeen plates (many hitherto unpublished) include the tomb and coffin of Maud Gonne's first child, Florence Farr's occult Egyptian shrine, and the last photograph of Yeats.